NOAH EISENBERG

Noah Eisenberg is a queer and Jewish NYC-based director, producer, and performer. Breaking boundaries of theme, structure, content, form, and scale, Noah crafts intimate, impactful stories to challenge audiences on an intellectual and emotional level. Through his production company, Ice Berg Productions, Noah aims to tackle the heart of human connection and utilize humor, identity, and passion to explore how our universal values bring communities closer or divide us. Recent credits include a SUBLIMATION by Frank Murdocco (Edinburgh Fringe), TARRYTOWN by Adam Wachter (The Cell Theater), AS TIME GOES BY by Danny Brown (Out of the Box Theatrics), ORION AND THE GOATMAN by Will Murdock (The Flea Theater), a site-specific immersive memorial production of ELEGIES: A SONG CYCLE by William Finn (Dive 106 - NYC Bar), and a reinvented version queer song cycle SONGS FROM AN UNMADE BED that included personal interviews and artful photographs of the cast in their actual bedrooms. Noah recently made his solo cabaret debut with MY THERAPIST TOLD ME NOT TO at Chelsea Table and Stage. Outside of his own projects, Noah co-produced the off-Broadway runs of  BEAU: THE MUSICAL (Out of the Box Theatrics - Drama Desk and OCC nominations) and Pulitzer Prize Finalist CIRCLE JERK, Executive Produced feature film BOOKENDS (Starring F. Murray Abraham and Caroline Aaron), and Associate Produced TRASH (PAC NYC). In 2025, he made his Broadway producing debut and received a Tony Award nomination for DEAD OUTLAW. He has collaborated with many prominent directors, including Scott Elliott (ROPE and THE ADDING MACHINE - The New Group) and Tony nominee Marcia Milgrom Dodge (JERSEY BOYS and DECEIVED - Maltz Jupiter Theater, etc…) Noah graduated from the University of Michigan with a BFA in Musical Theater and minors in American Culture and Performing Arts Management & Entrepreneurship.​When not in the theater, Noah can be found exploring fun eateries around town, switching back and forth between six different word games, or obsessing far too heavily over the Real Housewives cinematic universe.